Sunday, October 31, 2021

How do I motivate a child to play and learn chess? by Kyle Phoenix

 


Great question—-chess, taught at an early age teaches insight, foresight, planning behaviors, patience, thought control and critical thinking. I have never not known how to play chess because my parents deeply enjoyed the game, but broke up when I was about 2; they met in college (and got back together and married when I was 10). One of the first questions my father asked my mother when they reunited was if she’d taught me chess—she was like of course!

I must’ve learned it between 3–5. But to reinforce the learning, my mother and her brother pitted my cousin and I, a few months apart in age, against one another in chess (and boxing—-which my mother also taught me.) My cousin Chris—-who is—-let’s call it 45 mph in a 65 mph zone excelled at chess. But his sister, a few years younger, Kory was even better. We would have chess and boxing tournaments and then when I would visit for the summer play incessantly, all while under 12.

I would play my parents, never winning—-my father’s strategy of using the Queen’s Gambit was if I could defeat it, he would play me a second game—-if I couldn’t, he wouldn’t play me again for another 24 hours. It took me close to 20+ years before I was laying in a hospital staring at the ceiling, replaying chess games and strategies in my head, that I understood how to defeat the Queen’s Gambit.

Further I’d started working at a charter school and one of the things they were doing with the kindergarten children was teaching them chess. One day I went to help with a Saturday coverage of them and literally got hardcore trounced by a group of 9 year old's. The only saving grace is they hadn’t decided to hustle me for cash. But it was an infused part of their curriculum through middle school and high school because of all of the additives, mentally, it produces.

It’s one of the first questions I ask dates, children, parents, students, coworkers—-can you play chess? You like chess? It’s literally a mind map of their mentality and abilities to think. All of my students who can play, training at earlier ages (you generally can get to the Grandmaster levels the younger you learn, similar to Go).

What motivated me was one I got to do an adult activity that I saw they had great investment in. Then there was the competition with my cousins and the Thunderdome like atmosphere our parents created against pitting us against one another. I would say that later I enjoyed and eventually noticed that it improved not my thinking—-that would be metacognition—-but I could imagine things—-actions, tactics, etc. better because I’d learned the fundamentals of strategy and tactics through chess. What this also does is it helps to now, even in adulthood—-when irritated calm me down. It forces me to think. Not simply react. Because I was accustomed to thinking in a strategic way, I’ve normalized it so even now as an adult I’m constantly considering everything in two or three possibilities.

I’m able to rationalize reality a lot better. I might be upset at coworkers or at the processes at a job/work but then I can think about it—-detach from the emotional upset and instead consider if I will one, die if a job ends (no.) and then backtrack from here through other life scenarios or irritants and reconsider my emotional experiences.

Being able to articulate to a child that you can consider various responses and reactions enforces a sense of Agency and a lack of helplessness. I can be irritated or annoyed but I rarely feel helpless. Chess has taught me in a blunt way that there’s always another move, another option, to consider myself aside form the situation, to consider the situation aside from my direct self. While I see a personal effect sometimes I’m also able to see that affecting me is a side affect of the effect of something else.

When I talk to children and adults about learning chess, I also talk them about learning long term planning, seeing greater possibilities than one or two immediate actions. This is invaluable in helping with mathematical proficiency, reading, writing, etc. as well as social benefits.

One thing I often consider, is that aside from helplessness, I never feel wholly trapped by the vagaries of life—-I see my life in terms of a longer term timeline of moves and countermoves—-and from that a sense of both autonomy and Grace. I’ve come to realize how much Life can’t harm me by learning to see, imagine, project, consider, strategize. That byproduct is that even when things seem dire, I’m able to project myself my thinking, the possibilities beyond myself. Talking to children about this in bite sized pieces, while teaching and practicing chess (and Go), I think are invaluable to building stronger teens/adults.

If you can, learn it; if you can, teach it to every child close to you. As a teacher , having observed those who know and those who don’t, it’s literally one of the deciding factors in cognitive abilities and mental strength.

#KylePhoenix

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Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix
#TheKylePhoenixShow
Kyle Phoenix on Facebook and Twitter

The Kyle Phoenix Show LIVE STREAMING on MNN.org 1130pm, Spectrum Cable Manhattan, NY Channel 56 & 1996, also FIOS 34 and RCN 83. 

www.kyle-phoenix.com

Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix



You can Like or; Follow Us on Facebook or;Twitter

Or Click Below to:
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 Don't forget to watch The Kyle Phoenix Show LIVESTREAM on Channel 56 (Time Warner), 83 (RCN), 34 (Verizon) Thursdays 1130pm

Kyle Phoenix is a teacher, certified adult educator, sexologist, sex coach and sexuality educator with over two decades of intensive experience. He studied at the University at Buffalo, SUNY, New York University, and Columbia University. He has worked, consulted and taught individuals and focused professional developments for the CDC, Department of Education, Gay Men's Health Crisis, New York City Department of Health, non-profits, Fortune 500 companies and unions. He began his career facilitating on-campus workshops addressing a wide range of sexuality and sexual health issues and then moved on to teaching at universities, non-profits, private groups and clients, hosting The Kyle Phoenix Show on television and multiple online webinars, including YouTube and Sclipo and writing extensively through his blog, Special Reports, articles and other print and E books in the Kyle Phoenix Series on relationships, finance, education, spirituality and culture. He lives in New York with his family.


www.kylephoenix.com


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KylePhoenixShow@Gmail.com

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Why does it seem like being LGBTQ+ is a personality trait for some people? Why make absolutely everything about LGBTQSGL? by Kyle Phoenix

 


There's a system, a measurement created by Vivienne Cass about 50 years ago that essentially has a scale of where one is at in sexuality (non-heterosexuality).

What makes this so interesting and useful is that it helps to codify to people and people like me (teachers-counselors) what we’re seeing in them, where they’re at. I was an LGBT Youth Coordinator so the youth, from 14 to 27, were all over the map in terms of life experience and sexuality/sexual experience. I was able to introduce the map to them and further help them see Identity-Sexuality as a progression.

What the above did was it also allowed me to isolate the differences between Out and Closeted.

Most importantly, what this did was it helped to isolate them being able to evaluate their peers and older men for the stages they were in and why.

When men are extremely Out, I’m talking Grand Marshall of the Gay Parade, they’re essentially a Level 5, Identity Pride. Some people stay there for a really long time because there isn’t much else to their identity to take primacy. We often assume that people are well-rounded or expansive but in truth at least 50% of the population are defined by very narrow criteria within their identity: family, gender roles, biological sex, religion, ethnicity/race, and maybe work/vocation.

So to NOT be heterosexual is a really big thing in about 50% of the Out (all) folk (and it also explains the reticence of the Closeted folk).

Ironically one of the reasons why I was able to be the Youth Coordinator was because I was a Level 6, I had achieved Identity Synthesis in that I’d been out close to 15 years when I started, I’d been in several men’s groups, on TV talking about sexuality, at jobs, in the newspaper—Out, Out, Out, Out, implying to all directly or by inference my sexuality. (Even now when taping my TV show I often think in the middle of some lesson—-Do I have to directly say or explain a connection to this sexuality idea or experience? Do I have to experience-signal or is just discussing this an outing of myself? Does anyone think I would be doing this sexuality topic if I wasn’t one of the rings on the bullseye?)

I can honestly tell you that I often forget about my omnisexuality, unless I’m scoping the male and female (and in NYC, in-between and other) hotties. Unless I’m thinking a passing sexual idea/thought about a person.

I also don't think about race a lot unless I’m thinking about other people and/or teaching My sexuality and ethnicity are sort of not simplistically baked in but more of sections or storage rooms in a big house that is Kyle.

People who are really, really really flamboyantly gay sort of have moved into a house and decorated all of the rooms very gay.

Why they do this varies. Some of it is for the sheer pleasure and comfort of being authentically themselves after years/families/religions of oppression. Also being out acts as a homing device for other men to find you for interest/romance/sex. I noticed over the years that I was confusing folk, men and women, attracting confused folk and then ending up confused myself because I wasn’t directly doing or being Out in ways that would signal who and what I was and interested in. Not from any point of shame or fear but it simply didn’t manifest for me in that way past the first couple of years of coming out at 18–21. I wore the Red Hot & Dance t-shirts, bought Chippendales calendars for my bedroom and went out to night clubs. Then I went off to college at 21, did workshops and seminars on sexuality, wrote articles and fiction stories and by my Senior year was less about my race and sexuality then I was about being Kyle, a writer and eventually a teacher. Then I started working in corporate America at a variety of big companies Citi, MetLife, Goldman Sachs, law firms and then I went back into education at a charter school—-it never occurred to me to be in the closet or to go to a parade.

(I’ve only been to two Gay Parades (one by work-force, I worked for GMHC and -part of the hiring contract was the understanding that we staff would cover one Pride event and the May AIDS Walk. The 2nd Gay Parade, I just happened to be in midtown when it passed by one Sunday so I took pics, particularly of the lone Chinese men with a Jesus Will Burn You sign—-I thought it was kind of courageous and sweet to be in his checkered shirt and chinos just protesting away—-in the center of thousands of oppositional New Yorkers in the street and on the sidewalks.)

I generally don't go to parades because I don't like excessive heat or loud noises/crowds—-unless I’m really planning on it—-a Prince concert, a Janet Jackson concert, etc..

So as a rather staid Alpha I have to remember to have a pin or a ring or a necklace with a rainbow because part of Level 6 is you’re unconscious to both gay and not gay folk, you’re not seeking attention about your sexuality. I’m no prude nor secretive, you can literally type my name into the internet and books, videos, my TV show will appear and there are plenty of gay topics abounding in all of those mediums. So I’m like so Out that I don't even think of Out and Closeted unless I’m talking to or about someone Closeted.

Perhaps that’s what Level 5 is—-definitely displaying that you’re no longer in the Closet?

#KylePhoenix

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Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix
#TheKylePhoenixShow
Kyle Phoenix on Facebook and Twitter

The Kyle Phoenix Show LIVE STREAMING on MNN.org 1130pm, Spectrum Cable Manhattan, NY Channel 56 & 1996, also FIOS 34 and RCN 83. 

www.kyle-phoenix.com

Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix



You can Like or; Follow Us on Facebook or;Twitter

Or Click Below to:
·                     Kyle Phoenix Website
·                     The Kyle Phoenix Blog
·                     Check out Kyle Phoenix Products on Amazon .com



 Don't forget to watch The Kyle Phoenix Show LIVESTREAM on Channel 56 (Time Warner), 83 (RCN), 34 (Verizon) Thursdays 1130pm

Kyle Phoenix is a teacher, certified adult educator, sexologist, sex coach and sexuality educator with over two decades of intensive experience. He studied at the University at Buffalo, SUNY, New York University, and Columbia University. He has worked, consulted and taught individuals and focused professional developments for the CDC, Department of Education, Gay Men's Health Crisis, New York City Department of Health, non-profits, Fortune 500 companies and unions. He began his career facilitating on-campus workshops addressing a wide range of sexuality and sexual health issues and then moved on to teaching at universities, non-profits, private groups and clients, hosting The Kyle Phoenix Show on television and multiple online webinars, including YouTube and Sclipo and writing extensively through his blog, Special Reports, articles and other print and E books in the Kyle Phoenix Series on relationships, finance, education, spirituality and culture. He lives in New York with his family.


www.kylephoenix.com


Smile, Kyle
KylePhoenixShow@Gmail.com

#KylePhoenix
#TheKylePhoenixShow

I am gay but my friend is not. What type of bond (twin flame or soulmate) could this strange, other worldly relationship be because we found each other, experienced psychic abilities (telepathy and symptoms from being energy connected? by Kyle Phoenix

 


I had a friend in high school, we’ll call him John. We actually met playin basketball during gym class. I was just sitting there, not being interested in basketball, and he came over with a basketball and the brightest yellow sweatpants. Ever. Hilarious. He asked if I wanted to play because everyone else was teamed up and he was so jovial and sincere that I reluctantly got up and we played the worse game of basketball ever. We became fast friends, me convincing him to join creative writing classes with me, then become a camera man for the high school soap opera club which annexed into a colleges level film class at Long Island University. We were close to inseparable.

This went on for about a year or two until we started getting closer and closer in weird ways that I would love to be able to capture in a fiction book one day. Finally we started hanging out longer and longer and finally going from Brooklyn to stay out all night in Manhattan. His mother freaked out—-his two brothers were criminal ne’er do wells, she had high, perhaps even priestly ambitions for John. My mother didn’t freak out so much—-she just lambasted me for wheeling around the groceries I was bringing home, in a shopping cart, all night.

We started flirting and just generally being closer and emotionally intimate and finally after some prodding he admitted that he really did love me. And that was amazing. What was so amazing about it was that we were deeply, emotionally simpatico but in differing mature ways. Finally he admitted to me some of his financial embarrassment because I was working and making so much money ($1000 a week in commissioned retail) and his family was on social services (he thought I didn’t know. I knew.) Of course years later, I would understand the social class differences.

So now we’re all giddy and he’s spending the night—-to this day, with the exception of LTRs, the safest and most comfortable I’ve ever slept with anyone. I simply felt safe with him because I was the extreme creative one and he was more of a balancing, foundational force—-he was the one person who could rev me up or calm me down in my creative writing/filming/directing/youthful flares. At 18, no credit (I had just gotten two credit cards and a credit line from my big retail job) he knew that an Amex would be best because it demanded immediate, monthly payments. He was more grounded than I was.

While I was seeing a counselor in school about sexuality, I hadn’t divulged anything to him until the week that precipitated the night out—-I was sitting outside of class at LIU listening to my CD player, “If Only You Knew” sung by Patti LaBelle and he came over and kept demanding to know what was wrong, why was I crying? And I was crying because I was listening to the answer and I realized that for all of his goofiness, I was genuinely in love with him.

Then we had our overnight love admittance then we had a day at my place, alone, where we talked and held each other. He later admitted after his shower and my making sausages for lunch and a bad attempt to braid his mass of hair, that we would have sex. We didn’t. We didn’t because while I was perhaps more sexually advanced that he was, not a virgin, I enjoyed the safety with him…but I didn't say that out loud. We often shared dreams, were keenly in tune with one another and attracted but divided by social class and I think a deep desire not to hurt the other.

So then he goes to the counselor and she tells me that she’s not sure but I might want to prepare myself for the fact that she doesn’t think he’s gay. I was gobsmacked, perplexed, hurt.

I decided that it was over. I sort of became suicidal because it was just he and I in this few week long bubble—-then I decided I didn’t want to die, he was just a bastard, so I ended the friendship.

I spent about 4–5 years really deeply, not pining over him in the sense of missed love, but in the sense that he was to be something else in my life. I felt hurt and ashamed when I realized that yes, I left high school a few weeks later, got my GED and went to work full time in the Manhattan and then a couple of years later went off to Buffalo.

I had left John.

So much of our connection was about him being my stabilizer but my being the engine that got us out of there, Brooklyn, from under our too attached mothers, past childhood poverty, into creative worlds. Spike Lee and Monty Ross, his business partner, came to LIU and we talked about how we could be them. We communicated artistically, personally, emotionally so deeply but alas, I was immature.

I lamented my immaturity at the loss of a soul mate because I assumed that sex and sexuality were to be compatible. What the counselor was trying to tell me was that John was willing to be gay…for me. To be with me. Maybe she was even hinting at that I should listen to his ambivalence, to his willingness to subsume parts of himself, to be with me. I heard rejection and took it from there, immaturely.

So yes, I believe you can have a soulmate who is more than a friend but less than a lover—-I got that from an Elizabeth Taylor movie on TV and immediately thought—-”That’s what it was!”

Why Then Again?

It sort of happened again in college, there was a college dude crushing and courting me, but this time I was more forthright and pointed out his girlfriend. And perhaps he too was a soulmate but he was freaked out by loving me, wanting me, being gay…and this might sound weird but you don’t want someone who is freaked out at wanting you. He talked about how I was perfect for him, how I loved him perfectly. And that freaked him out.

My reticence with him was all of his manipulative drama with me and her and not just simply “dating” me, romancing me, like a person not a gay-sex object—-”Mongo want to fuck you, ok?” he eventually offered.

(Yes, I wrote a book about it—-Stay With Me, available on Amazon.)

I found with both, that I missed the friendship most of all, the intimacy, the closeness. I even had an argument one of those bliss days with John when he mentioned how pretty a classmate was—-I was like—-”You want her? I’ll introduce you!” he just shook his head at what a snappish firebrand I was. I wasn’t threatened but, my sexuality being omnisexual, accepted his and the other guy’s could be just as bi or omni. But they were scared to have a definitive one, much less two or more.

What Could've Should've Happened

If you find yourself in this entanglement, if there’s space and affection and you can talk—-you can talk to him. One he knows about you and your feelings and feels some of the same—-though his romantic feelings may only be transitory, not infused. He’s willing to “experiment” with you because you’re so close, his friend, a soulmate. But again, all soulmates are not to be a loving and sexual relationship—-we physicalize the affection because that’s our bodies trying to fulfill the yearning of our emotions, minds, souls.

If you can, have sex. But make agreements beforehand. About doing it for awhile. I wish I had had the maturity to say ok, let’s just experiment and have safe, confidential fun together for 3 months but STAY friends. No matter what—-break up in 3 months and 1 day, that form of our relationship changes but we STAY friends.

See, I missed far more the emotional intimacy and safety with John than anything else. (Perhaps even the college dude too.) Trying to construct it with my teenage sexuality hands was messy and made me feel like I had failed him by so trivializing the physical and sexual to being mountainous, when it was the friendship that was suppose to change our lives. And yes, he may’ve found someone else but we'd be more than friends but less than lovers, even now.

He eventually got married, had kids, took me forever to find him on social media. And he seems happy so I’m even reticent to send an apology at my 18 year old immaturity. He was deeply congenial so I’m sure it would be kindly received but he skied a different slope so I don’t know how he would perceive our past.

But I do think about if we’d gotten the sexual out of the way (both high school and college) I could have a couple of those super duper best friends where the flirtation was genuine. I often think in male to male relationships, how much I miss the friendship when the romance is over, so sometimes I keep it shallow because they can only see it from a sexual-romantic perspective. I would rather have the lifelong friends. Then sometimes I think it would be wonderful to have some sort of French love affair with friends where when we were single, we were there for all kinds of comfort. I never seem to get that either.

What I will tell you that these connections can be for, the deep spiritual connection, is to gird us in life, for each to help the other. I always felt, saw that I was to help John escape poverty—-I was one of the opportunities, his life manifested others—-but he was also a better best friend, a stabilizing force in my life than the friends I ended up choosing. We of course get more opportunities to do and express and receive and give, the more we expose ourselves to the world but understanding it’s a constant merry go round and getting back on the bobbing horse can sometimes be delayed by the nursing of a wounded heart. It happens, again and again, perhaps 7 to 9 times in a long lifetime, but it doesn't have to. I often wonder how much farther along I could be, how much art they could’ve and would’ve created had our relationships-friendships matured rather than imploded. The art of soul mate maintenance is to not shatter the glass bow on the glass box.

But I will tell you from this side of the Seine—-go for it, express yourself, love him, negotiate to experiment but further negotiate that that deep spiritual connection you feel will not be sullied by the expression of other dimensions of your humanity and that nothing is permanent or damning.

And then somewhere in there you learn and hear and learn from others that we all have this deep early love, but some of us get shots of maturity in how to explore and preserve it.

#KylePhoenix

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#KylePhoenix

#TheKylePhoenixShow



Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix
#TheKylePhoenixShow
Kyle Phoenix on Facebook and Twitter

The Kyle Phoenix Show LIVE STREAMING on MNN.org 1130pm, Spectrum Cable Manhattan, NY Channel 56 & 1996, also FIOS 34 and RCN 83. 

www.kyle-phoenix.com

Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix



You can Like or; Follow Us on Facebook or;Twitter

Or Click Below to:
·                     Kyle Phoenix Website
·                     The Kyle Phoenix Blog
·                     Check out Kyle Phoenix Products on Amazon .com



 Don't forget to watch The Kyle Phoenix Show LIVESTREAM on Channel 56 (Time Warner), 83 (RCN), 34 (Verizon) Thursdays 1130pm

Kyle Phoenix is a teacher, certified adult educator, sexologist, sex coach and sexuality educator with over two decades of intensive experience. He studied at the University at Buffalo, SUNY, New York University, and Columbia University. He has worked, consulted and taught individuals and focused professional developments for the CDC, Department of Education, Gay Men's Health Crisis, New York City Department of Health, non-profits, Fortune 500 companies and unions. He began his career facilitating on-campus workshops addressing a wide range of sexuality and sexual health issues and then moved on to teaching at universities, non-profits, private groups and clients, hosting The Kyle Phoenix Show on television and multiple online webinars, including YouTube and Sclipo and writing extensively through his blog, Special Reports, articles and other print and E books in the Kyle Phoenix Series on relationships, finance, education, spirituality and culture. He lives in New York with his family.


www.kylephoenix.com


Smile, Kyle
KylePhoenixShow@Gmail.com

#KylePhoenix
#TheKylePhoenixShow

What are some common errors that authors make when editing and revising books? Kyle Phoenix

 


I’m editing/revising not one, not two but about half a dozen books right now.

Writing Typos and Mistakes

My current dragon to slay is form and from. You would think I would know how to distinguish and type the right one, you really would. I’ve been typing for decades. So now I’m on hyper alert for those two mismatched words.

Sometimes to get through a book—-think of it like a hike—-some parts are pretty, some not so pretty. I use things—-mitigations—-like “So” to simply move a sentence to a paragraph to a age—-have to go back and clear that up.

Other than that I’m pretty good with word-errors.

Sentence Structure/Tricks/Repetition

I make it a point to avoid repetition of words within a sentence—-”She was enjoying the day, thinking that there wouldn't be many more days before the apocalypse.”

I would make a choice between day and days—-change word or omit one. Clumsy writing repeats itself.

He said, she said.

I just read somewhere it’s called “tagging”:. (I remember when tagging was graffiti.) But Elmore Leonard advised in a short article on writing to make the writing itself, the narrative, the dialogue strong enough, distinctive enough so that readers’ could distinguish between characters.

Bluntly, he fucked up two of my novels because I then added this bon mont to my revision work. I actually did a word search/count of how many “saids” were present in two 600+ page novels and suffice to say—-I cursed the books and perhaps Leonard.

Then I got to work.

It sounds simple, take out he said, she said. But what it requires in practice-execution is everything AROUND it must make sense now. This meant that I had to start listening to my characters and more importantly distinctly differentiate their voices, their syntax, their idioms, their accents, etc..

But in the dear departed Leonard’s masterful defense—-it made the work at least 5x better.

One, it eliminated the plodding/clodding stop-start-identify march that was created sentence after sentence. It also gave me a level of control over the characters that I hadn’t exorcised before. I now had to really design differences in them and their mannerisms. But it had to be glaring and subtle at the same time.

One way I did it with a foreign character who’d learned English from Turkish through tutors was that he didn’t use contractions—-which in turn created a semi-formality to his speech pattern—-which others could point out, especially children.

But more importantly that informed him as a character so that I could look at two other characters and have one speak more American “roughly” and a third, more educated but peppered with slang. Three “voices” found.

The second effort meant that a scene had to convey tonality because I wasn’t going to cop out at he said coldly. Now the narrative/dialogue had to convey emotion. Which meant I had to really think about how to say something, show not tell. Disgust, apprehension, revulsion, judgment. All of those emotions that would clumsily be inserted with said had to be conveyed now by surrounding actions and movements. The narrative then lent itself to pointed description rather than casual or useless or superfluous description. Which in turn meant that I had to then strip down descriptives that were just space filling.

The whole damn exercise revealed to me how clunky he said, she said is and that it was like a semi-colon in it’s needed usefulness.

This then meant that I was building chapters-scenes and really thinking about conversations and deliberately going line by line to make multi-character discussions clear, evident, sparingly described. It became a project within a project.

I just thought of “why”? to do this and it has something to do with what I often see/read—-lazy writers. By lazy I don’t mean output—-God save us from the vomitorium of writing (another revision effort I make into my work) but even when people talk about is 50k, 60k, words/characters a book—-I hate that question—-because length (pun) doesn’t matter. It’s quality of the output. But lazy/new/bad writers are playing something akin to the mimicry game (the mimicry game is where your character has a lightning bolt of his ass and no parents and goes to a magical school—-no, I have never read a Harry Potter book. And won’t. But many, many, many, too many folk have and get inspired to write and they mimic and then get stuck because writing is more, more stages, more editing, more revisions, more effort).

Lazy/new writers have been inspired by a good writer or at least a good story and they have fragments of that tale and other ideas in their head and then pour it onto paper. But what they also do is pour all of the errors, mistakes, incorrect ways of doing things that are evident in readings that are made easy.

Easy Reading

I’m going to blow your mind. Most of the most popular writers are easy to read. Think of it as Elementary, Middle, High schools and Colleges. Really popular books are about Middle School Level. Literature/Art is sort of High School and College. If it’s difficult to read, slightly impenetrable, requiring multiple readings—-that’s generally good literature partially because it doesn’t cater to the general populace/audience. By catering, I’m gonna get all teacherly here, most TV and public directions and sales info and circulars and newspapers are at about an 8th grade reading level. Mainly because there was a time when the populace wasn’t as reading savvy/learned as it is now. But less people read in a laddering/advancing way—-constantly increasing in complexity grammar, ideas, words, etc.. There are actually studies based upon economic income/a social class and educational level——the level or amount of words people use/know.

Yes, all of this goes into my revising too because I do consider when I have a unique word (shibui—-I will be using shibui somehow, somewhere) or if I have words in other languages or ideas (quantum mechanics, time travel, science), or sexuality (trans, omni, pan, etc..) that I’m pushing the intellectual envelope of my possible reading masses.

In revising I clear up too complicated or complex or I deepen stuff, aim for art—-let my intellectual freak flag fly. I push and press for broader ideas, I challenge the reader to come with me into a new way of seeing a person or the world. I press for the reader to suddenly question the character they’ve been dealing with, who might exist in both good, bad and neutral actions, and see them as a multi-dimensional human.

To the future of a project, even as I’m First draft writing, I am considering the expansiveness, and that's what good editing and revising is—-expansion—-making the book, not simply in pages, but in ideas—-bigger, better, deeper and yes, clearer.

Lazy writing is spellchecking and perhaps grammar hunting (which is important) but a work really going for the gold changes Draft to Draft. Which is why on the tutelage and advice of eon of my mentors, Raymond Federman I do 12 Drafts of every work. In some ways 12 different manuscripts. In other ways 12 different novels or ways of telling the same story. In other ways 12 advancements of the original acorn/kernel of an idea.

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The Kyle Phoenix Show LIVE STREAMING on MNN.org 1130pm, Spectrum Cable Manhattan, NY Channel 56 & 1996, also FIOS 34 and RCN 83. 

www.kyle-phoenix.com

Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix



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 Don't forget to watch The Kyle Phoenix Show LIVESTREAM on Channel 56 (Time Warner), 83 (RCN), 34 (Verizon) Thursdays 1130pm

Kyle Phoenix is a teacher, certified adult educator, sexologist, sex coach and sexuality educator with over two decades of intensive experience. He studied at the University at Buffalo, SUNY, New York University, and Columbia University. He has worked, consulted and taught individuals and focused professional developments for the CDC, Department of Education, Gay Men's Health Crisis, New York City Department of Health, non-profits, Fortune 500 companies and unions. He began his career facilitating on-campus workshops addressing a wide range of sexuality and sexual health issues and then moved on to teaching at universities, non-profits, private groups and clients, hosting The Kyle Phoenix Show on television and multiple online webinars, including YouTube and Sclipo and writing extensively through his blog, Special Reports, articles and other print and E books in the Kyle Phoenix Series on relationships, finance, education, spirituality and culture. He lives in New York with his family.


www.kylephoenix.com


Smile, Kyle
KylePhoenixShow@Gmail.com

#KylePhoenix
#TheKylePhoenixShow