Sunday, October 31, 2021

Why are you still single? by Kyle Phoenix

 


Why Are You Single?

Insanely, I’ve written several books on relationships and taught hundreds of workshops and even have a TV show where I delve into relationships and finding love, etc..

I could give you all the icing layer stuff about why I date but am not married, and have no interest in marriage. I could tell you all of the information and statistics about men, women and men with both, as I have been. I could also layer in my parents—-all 7–8 of them and childhood drama and trauma. But as I’ve dated in the past, loved a lot, and continue to seriously date now and enjoy relationships, I can tell you a savage truth:

I don’t want to give up my energy or attention, right now, to another person.

A few years ago I spent several years at my mother’s bedside outside of NY but before that I spent a decade worried and terrified at every long distance phone call being about rushing to her bedside or her being dead. Then it happened and it wasn’t so bad. I’ve had lots of other relatives die and I have good, solid personal spiritual beliefs and most of my mentors, older folk, have died in the past 15 years. I’m cool with death, loss, change. What this did though was help me see that she was the last person I felt a deep obligation to, that suddenly, for the first time in my life I was free. I wasn’t eager for her to die, saddened by her self-destructiveness but sitting with her, asking and sorting through all the big questions, I realized I’d parented myself for years. That this was a shifting, a transition and not a loss. She’d thrown herself into yet another lopsided relationship and then decided not to take care of herself so I watched him panic over the loss of her. He’d taken the bullet for me of my last parent’s form of self destructiveness. Even in his pettiness and lashing out I realized it was because I’d let them have each other.

But in that shifting, in many ways, they’d not lost me but I restricted unhealthy access. I’d built my own sustenance, my own life, my own universe without them. Then I did a couple of years of Herculean lifting and she died and he faded away and I was relieved.

I had friends and mentees/students who really helped during this several year process but once the death happened, because it wasn’t a devastating depression or guilt, it was like a fog cleared. And when the fog cleared, I saw the various friends and students (adults) for who and what they were. I saw my deep contributions to them that always wasn’t returned or acknowledged or even respected. It was like my mother was this flashlight that as I held the specter of her death in my eye, I turned and looked, and a light shone cleanly on other people.

Before she died, to move back here, after throwing my stepfather out of the house, I had to pack up the house to move to NYC---it took about 6 weeks. Packing and editing as if she/he were already dead. But I did it room by room, closet by closet until it was all in the same sized truck I’d arrived in and we were off. We moved on and then she died and I was relieved and those around me were exposed.

Boom, boom, boom, boom.

I spent all my time there writing, I’d published several books six months before arriving so I had something to consistently do while there. In retrospect, I’m amazed at how much I got done.

It was a routine of tend to her, go to work, go write. Really nothing else. Be present and my Art. And then there were times when I realized I’d carry my Art after her and I poured myself into it, thought about it, experimented. The day she died at 8am, I went to sleep for a few hours then by midnight was up finishing a manuscript.

She---they---family---were like a book that was finally finished being read and written, experienced. But they were also like a symphony playing over another song and as the symphony petered out, my song, clear and light and fun and strong, could still be heard. I like my song. It makes me happy, it makes me feel good. It is good. It’s not broken or traumatized or mad or sad. It’s my song.

I want to focus exclusively on my Art as a primary outlet until I have children, then I’ll shift that focus. But in the context of a relationship—I don’t want to get married. I never have—-people mistake my affection and generosity and attention for some deep agenda. I can love and focus on myself, two handed. I can have affairs, treat you well and adoringly, and then as it ends, move on.

See, I visit this world. I have other worlds that I don’t think I’ve ever completely had anyone else visit with me—one can’t—it’s my world of reading and writing and creativity and dreams and ideas and thoughts and learning—it’s not wholly shareable. And that’s okay. Back to when I was a teenager and pressing my bestie/boyfriend to the clubs I was in in high school, to the college extension program, to sharing what interested me; to university and its publishing projects; to corporate world and its jobs----I’ve always shared my bounty—attempted to with partners.

I’m no longer interested in doing that. I used to think if I had bread, I had to give you some---now I think “Oh, I have bread. You need to get to baking, there are recipes over there.”

There was this one guy, I even got him a job as a teacher, who we were chatting it up one night in the back seat of a friends’ car after dinner and the sparks were flying and we exchanged numbers and I texted him to go out to dinner. And he sort of petered out. I was okay—-always know until I have a direct conversation using the words—-Commitment, Continuity and Monogamy and the designs we agree upon—I am dating others.

If I don’t have that specific discussion with you, I am dating others.

Folk get confused about this.

Anyway, this possible attractive guy then tells our friend in common that he was concerned about my getting too emotionally involved with him while he was just sexually attracted to me.

How To Clearly Say This, Like On A Date?

Look, here’s another thing folk don’t understand about me: I’ve had more lovers (safely, safe sex always) than you can count on a full subway train car—maybe two or three cars.

I’ve had fun. I’ve answered all of my questions. But also I’ve learned to not compartmentalize but enjoy folk for what they are and move on. Dating and fucking is not how I fall in love—-it’s like the difference between going on vacation and going home.

And honestly, dating and fucking has never lead to love for me, I can separate the two. In fact, you might not be the only entree I’m sampling that week. I’m one of those people who aren’t French but completely appreciate a nice French affair.

I also resent the question: Where were you?

Not because I resent the concern or caring inherent to it but because above all else I appreciate and strive to deepen and expand my freedom. That’s my most important personal ideal. So if you come across those borders—I don’t point artillery at you but I am put on alert to encroachment.

I’ve always thought, and a couple of times have sought relationships with people in the military. I appreciate a good shipping out. I’ll see you in three months, six months, it’s good. I am good with it.

I Look Clearly At Men and Kids

I think about partners who are committed to raising children with me, a micro percentage of MSM so I have to sift through the LGBT bin to find men who are committed to it.

I went to an LGBT IVF seminar with doctors and such—-$90k for one kid, $140k for two—-might as well get two. I thought it was wonderful and exciting and I started looking at my budget, but sadly in the room were mainly couples and men I have no interest in fucking, just to have a co-parent.

So I was like OK, I might have to do this aloneWhat does that look like?

And more importantly, so that I don’t smother children, what does my romantic/sex life look like after children?

What resources (nanny, money, flexible work) will I need to have one night away for a movie by myself or an orgy of delicious escorts, French affairs, dates, fuck buddies potentially for the rest of my life as I parent?

I look at designing my life, I always have. I’m not so much of “hoping” or waiting as I’m strategically considering—OK, if I turn 60 and I’m single and in reasonably good shape, how much money will I need to create a secure life for myself, children and someone whose responsibility it is to co-parent AND stay looking hot because they’re walking in under 40 years old?

How is Madonna managing her much young lovers with her children—what are the relationship dynamics and boundaries?

I’m also single because after my mother died, before having children, I realized I have a precious oasis of time—where I don’t have to take care of nobody but myself. I eat as I want and will—-spending as much as I will on really good food, I fuck as I please, I work at ridiculously easy jobs teaching and such, I manage my business and Art without much interruption other than from the business itself and editors and such——but I don’t have to listen to anyone else’s heartbreak or drama or trauma or needs…for awhile.

I know how long. I plan lots of things so I have a time limit to this. Lol

Knock, Knock, It’s The Co-Dependent Past

I bumped into a friend a few months ago, we’d been good friends from work and then outside of work for years and she quickly ran down the list of things—in the train station—that had occurred to her and was busy trying to figure out. When could we meet so she could go into detail? Even if we could just sit in the park?

And I realized standing there—this is what therapists do.

I don’t want to be anyone’s therapist. I did it for my mother, psychological and spiritual—I did it reasonably well, I was a stalwart son and protector. I owed her that as she took care of me, raised me, never abandoned me. She’s dead now and I’m relieved and sometimes a little happy that relationship has run its’ physical course. I’m not tired, I’m just not interested in using those same muscles, in the same way again for awhile. I’m saving those for children, for myself, for someone I see walk over and express jacked care taking muscles of their own---for me.

Knock, Knock, The Sequel

Another friend of a friend bumped into me—no, really I scan the streets and have crossed or ducked or dove out the way to avoid some folk—but she caught me and she told me about a mutual friend—the press to get me to explore, out loud, my distancing from this mutual friend. I don’t cross friendship lines, gossip, etc.—I’m the Samantha not the Charlotte—so I nodded politely, gave it ten minutes but really didn’t answer why I wasn’t checking for the other friend or even for the one in front of me.

Why Wasn’t I Checking For The Other Friend?

They were both past coworkers and the first one really helped me out and then I really helped her out but there came a point where I was standing watching her and I realized I had put my life on hold because hers was jacked up and that I was trying to fix her to fix my past, my mother, my mother’s mothering, as my friend was becoming a mother.

And when I saw that, I realized my complicity and then she casually said something that could’ve helped me move on months before that but she’d withheld to keep me by her side, as her helper. And I was like—“Oh, she’s not weak, she’s passive aggressive and I’m playing right into this.

It helped that I had a great Life Coach who challenged me with my intentions of life changes. I saw a pattern I had to break.

I am No longer interested in messy boundary, Guinan level listening to other people’s stuff.

I can still be a friend. I’ve helped some, listened; briefly, to a few but I don’t do what I did before because I had no Art, not in the way I wanted to produce.

It was hard for me to admit my level of self-interest, in myself, my Art, because I’d spent nearly 40 years as a child and adult being selfless for love, for attention, for acceptance. It’s taken a lot of my late 20s and 30s to shift that boat’s course, to find a different balance. To enjoy my interest in freedom, to work at my own pace and understand the intrinsic possessiveness of my life, to truly put my Purpose to the forefront.

My Art vs. Men

Lots of times in past relationships, my Art became a source of competition with men. They wanted to pursue an Art, several times similar to mine with writing or production/publishing, and my interest seemed to demand I had to be 100% rooting for theirs and not my own or that I had to minimize my own. One poor sap didn’t even know for years that I was writer. lol Yeah, I gave him that one. But what I also did was deny to him and myself who I was and now, am.

I denied my creativity, my Art, my writing, my sheer joy at something so big and internal that it bursts forth onto paper. Thousands upon thousands upon thousands upon thousands of pages. It is so much more than me that it’s like a constant tidal wave---millions of words a year and then someone wants to know if we can do laundry together?

No, I drop off my laundry and very nice Asian and Latino folk do my laundry so that I can do my Art. A lot of the mundane things couples do together, I farm out so that I can squeeze out time for my Art within a regular life. I want to do the fun, great things and relaxing things with someone but I need my Art time.

He didn’t know he was in a competition that he could never win.

But part of my silence was a distrust of him and I’d had another past lover who was all kinds of jealous and spiteful around my work/talents. I wanted to just be that guy Kyle without the baggage of my Art—-yes, I know this sounds like a Miley Cyrus movie where I don wigs to pretend not to be a rock star. But there are times where I don’t need another person to validate my work. To validate me. I learned that from my messy parents, I learned to stand as me, to get other opinions on me and to have an opinion of myself. That’s where my confidence comes from---there was no one else doling it out directly to the areas I needed.

Many times in relationships some of the complaints of me, or even the reflections from friends is that I am complete unto myself---and I’m like aren’t you supposed to be at a certain age?

Not that I can’t grow more, develop deeper but that I’m not woefully incomplete looking for someone to tell me I can write a book or travel the country or walk down a dark street.

Check, check, check---there was no one else coming to tell Kyle that day after day so Kyle told himself and then got it done. And bought myself a cupcake to celebrate. I thought the point was to become.

Therapy By Proxy

I was just watching a therapy documentary and one of the things that struck me was a man who had taken care of himself from a young age and succeeded, survived that challenge and therefore didn’t want his wife messing with his emotional system. That was interesting. I don’t feel stalwart against someone else’s input, I enjoy new perspectives but I did overcome the challenges in having a dysfunctional family members and becoming a reasonably good guy.

Being A Good Man Vs. A Good Mentor

I am a good man and I used to think to be one, to complete the circle, I had to give all to all without consideration for myself. Now, I consider myself first as I give all to all---I’ve slowly changed the paradigm.

In my most recent affairs, I’ve appreciated silence from them. I want to have fun and go out and do things or have physical-sexual fun without really hearing about your struggles and issues. So much of my work/life is about empathic listening. I’m not available for that, right now.

I wasn’t burnt out but I narrowed my work down with classes, mentees, as I knew I’d have to go handle the family issues---and I saw them clearly, and I saw them mis-read me.

I’d initially arranged to keep an apartment in NYC and commute to Charlotte; a mentee had a bigger apartment. I knew and trusted him for years and I thought I can help you, help me, help you—I can stabilize paying 2/3s to his 1/3 of the rent after his previous roommate had moved out.

The landlord wasn’t amenable so I was like good deal, let’s just find another place and this 25 year old started deliberately screwing up in the transition. I made it clear three emphatic times---I’m trying to balance you/my NYC needs against my family obligations---I can do both with cooperation or I will choose. And you will lose in my choosing.

He then tells me a truth about himself---a bad experience with a teacher but further that women and gay men have always treated him with privilege because he’s so attractive. He’s implying this towards me though there was never anything of that energy from me and I realized he thinks he’s got me on the seduction hook.

I viewed him as I would a child. Perhaps an adopted older child, but like a son.

I got that he thought he was controlling me through my sexuality, with his looks---which was ludicrous. I packed up and left (technically after him) but I made it clear the deal, the friendship was off because he’d so fundamentally misunderstood me and my intentions. I was hurt and flabbergasted and guilty because I’d forestalled my family obligations for such foolishness.

I started to see how my teaching work was easing towards the curb of giving all to all. So I nipped it in the bud and took what I wanted to do, deal with my terminal mother so that no ghosts haunt me. I in no way regret the mentees/students/classes I moved away from, didn’t care take any longer. There were several LGBTSGL men’s groups that were easing too close and I worked and developed in them but I saw how men got stuck there—-in their personal trauma, specifically the death of parents—- and I didn’t want to get stuck as I saw other facilitators get stuck, over-identifying with the groups dynamics and pitifully, unhealthy, dysfunctionally, single-alone.

My Work Makes Me LGBTSGL Prodigy But Not Everyone Is Doing The Same Work

Also my work, counseling, teaching, workshops, books and such with MSM, has given me like this light speed transport to a level of conscious maturity about myself, my sexuality, relationships, but then I go into the world and everyone is rocking varying levels of maturity about sexuality---so I have to sift through the bins like everyone else.

I “give” some people a chance and I also have to look and listen consciously for things that are patterns from my past.

That takes me time to process. I can be present but I’m no longer a flat out person because I’ve matured into a person who considers what I want. And considering takes time. And men in particular have issues with time----like I’m supposed to know how I feel completely about the entirety of the interaction---on the first date.

I’m deciding between the steak or the shrimp.

I think in the past I’ve been hesitant to be so directly vague that I am still focused on the entrĂ©e, that I need time to process, to understand, to move closer to someone. In giving, in giving too much, I’ve tried to be more and more available because I thought---“Oh, this is attention so I should show up for it, I should minimize my own big screen thoughts and activities because here’s Attention!”

Now it’s not like I don’t give a fuck about anyone else’s feelings but I care about mine first---twice, before I think about yours.

In order to change, to grow, to develop, I have to give up something fundamental, we all do, especially to relationship with someone else. I’m in the long term process of giving up not being honest about there are:

· things that come before another person that I self-interestedly want;

· that I’m not always interested in therapizing with folk;

· that I want lack of depth sometimes rather than more depth and knowing.

I often fantasize about being with a really attractive idiot whom I don’t have to manage or fix, who goes to the gym a lot and is simple. They love children and want to be a parent. (I actually dated someone like this years ago but he was still dealing with being Out/shame/parent issues---those are now Kryptonite to me. I listen for Men with closet issues, parent issues, shame issues—I look at them wistfully then run.)

It’s funny so many of my fantasies involve simplicity, and now, I’m really focused on that so that I can add the overwhelming complexity of children and be present for that.

#KylePhoenix

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#KylePhoenix

#TheKylePhoenixShow



Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix
#TheKylePhoenixShow
Kyle Phoenix on Facebook and Twitter

The Kyle Phoenix Show LIVE STREAMING on MNN.org 1130pm, Spectrum Cable Manhattan, NY Channel 56 & 1996, also FIOS 34 and RCN 83. 

www.kyle-phoenix.com

Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix



You can Like or; Follow Us on Facebook or;Twitter

Or Click Below to:
·                     Kyle Phoenix Website
·                     The Kyle Phoenix Blog
·                     Check out Kyle Phoenix Products on Amazon .com



 Don't forget to watch The Kyle Phoenix Show LIVESTREAM on Channel 56 (Time Warner), 83 (RCN), 34 (Verizon) Thursdays 1130pm

Kyle Phoenix is a teacher, certified adult educator, sexologist, sex coach and sexuality educator with over two decades of intensive experience. He studied at the University at Buffalo, SUNY, New York University, and Columbia University. He has worked, consulted and taught individuals and focused professional developments for the CDC, Department of Education, Gay Men's Health Crisis, New York City Department of Health, non-profits, Fortune 500 companies and unions. He began his career facilitating on-campus workshops addressing a wide range of sexuality and sexual health issues and then moved on to teaching at universities, non-profits, private groups and clients, hosting The Kyle Phoenix Show on television and multiple online webinars, including YouTube and Sclipo and writing extensively through his blog, Special Reports, articles and other print and E books in the Kyle Phoenix Series on relationships, finance, education, spirituality and culture. He lives in New York with his family.


www.kylephoenix.com


Smile, Kyle
KylePhoenixShow@Gmail.com

#KylePhoenix
#TheKylePhoenixShow

What happens when a negative entity attacks you in the astral plane? What do they look like, and can an attack affect your real life? by Kyle Phoenix

 

What happens when a negative entity attacks you in the astral plane? What do they look like, and can an attack affect your real life?

I’ve had a couple of experiences, both asleep and awake, where there has been a negative, or what i perceive as negative thing, stuff, embodiment.

I don’t have heavy belief systems about good and evil—-in fact I’ll drop my heaviest—-God is both good and evil, it’s humans that delineate with morality. So I don't’ ascribe to belief systems of positivity or negativity in such bordered terms. I do morally believe and value certain precepts and disagree with the treatment of people, animals, nature in different ways. But I believe and see good and evil as subjective perceptions and projections.

The above is why I have trouble with negative entities and instead see them as aligned to other things than I might not agree with, but no judgment.

When it has happened, I’m a strong lucid dreamer, I consciously refuse it—-all I can explain of my refusal is that I focus on my me-ness. My Kyleness. That which is the Voice inside of me, the energy I meditate with and through, the energy that is me, and I think that through my “body” as strength, as repulsion, as power. I am the Engine and I am the Light and I am the Power. Sometimes, as I believe in God/The Universe in many ways, through many religions that are not Christian, I focus my me-ness through those names and words—-as mental constructs of Power.

In waking/semi-waking, I dozed off once in the oldest part of a building on campus. I awoke with “something” grabbing me, trying to yank or assume—-possess is too strong of a word—-but press onto and into me—-I think just my own wandering Light-Kyleness caught another energies’ attention. There was the impression of a young woman, buried, I believe in/under the oldest part of this building that had originally been the property of a family.

What does all this mean? Who knows. I don’t know.

But I did my—-thing—-I focused my Kyleness, my Me, my Power to reject it grasping to me, holding onto me, pulling at me. And it let go.

It’s happened two more times in the building, so I avoid that building section/campus part now, particularly while asleep or dozing. I am both more powerful asleep but I think also conversely, more accessible.

The second time I was really in a good nap and could hear the thrumming, meditative of the A/C unit—-I was in a back office—-pillow, lights out, but my small night light fan on—-and it was like ink/wraiths, something, came downward from the ceiling at me and I rejected them—-I was standing up naked—-and then I realized I was standing up naked—-which I realized meant I was asleep and that’s how I calmly perceive myself——perhaps, astrally—-which is how I knew a “thing” was happening. I pay attention to reality very keenly so that when I notice something slightly off—-I recognize the difference between being awake and asleep.

The third time was again napping in this office—-I often nap between teaching, classes, etc. to clear my thoughts—-and a coworker peeked in on me. He was mentally disturbed and I wasn’t completely asleep—-so I saw the door crack open, him peak in and watch me “sleep”. Yeah, he was a little batshit. He had expressed both an attraction and dislike/competition of me so I think all of that was swirling around in his overly religiousized cultural framework/mentality. Plus he was an immigrant so I’m sure NYC was a fundamental culture shock, especially with his mental-sexuality imbalances.

After a few minutes—-of what I can only imagine were some form of physical or mental masturbation, he closed the door—-but I believe his intent left a trail, a psychic trail, and I fell asleep and slipped into/seeing him clearly.

He was sitting in a chair, surrounded by several young women but there was an arrogance, a darkness, about his position and thoughts and feelings. I was looking into him and seeing his internal perspective of himself, misogynistic and arrogant (he was married with daughters.). There were all kinds of emotional/drama issues with him and they finally fired him. But from then on I marked him as what I would term “crazy”—-which would be imbalanced and spiritually dark and dangerous. I took measures to protect myself spiritually and ward my space and the space against him. Basically establishing energy dominance.

So there is darkness, dissimilar value systems embodied in people, places and things.

The work is to stay clean ourselves, as best as possible and that’s not some holy roller light and roses bs—-I think what it means is being responsible and accountable for your shit. Do good things and if you mess up, try to atone; don’t proselytize but do listen to others, offer counsel. I find interest in all religions but I’m not big on the Bibble or Islam because of the inherent systemic control structures to it. I favor religions that are about self, interaction with the world, nature and God. I believe religion is merely the passport to God but not actually God. Just the way your passport is not the airplane or travel, just a means to access them. God is throughout everything else besides books. lol

I would like to emphasize that to me this is all natural, all nature—-I don’t watch TV or many movies nor read too much horror/fiction so I’m pretty much stapled here to this expansive reality and not fantasizing about it or having it visually destroyed constantly, nor watching “entertainment” images of people dying and being hurt and such. I think that’s sheer insanity and why its so difficult for people to feel God/themselves, their own Kyleness.

#KylePhoenix

#TheKylePhoenixShow


#KylePhoenix

#TheKylePhoenixShow


#KylePhoenix

#TheKylePhoenixShow



Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix
#TheKylePhoenixShow
Kyle Phoenix on Facebook and Twitter

The Kyle Phoenix Show LIVE STREAMING on MNN.org 1130pm, Spectrum Cable Manhattan, NY Channel 56 & 1996, also FIOS 34 and RCN 83. 

www.kyle-phoenix.com

Smile, Kyle
KylePhoenixShow@Gmail.com
#KylePhoenix



You can Like or; Follow Us on Facebook or;Twitter

Or Click Below to:
·                     Kyle Phoenix Website
·                     The Kyle Phoenix Blog
·                     Check out Kyle Phoenix Products on Amazon .com



 Don't forget to watch The Kyle Phoenix Show LIVESTREAM on Channel 56 (Time Warner), 83 (RCN), 34 (Verizon) Thursdays 1130pm

Kyle Phoenix is a teacher, certified adult educator, sexologist, sex coach and sexuality educator with over two decades of intensive experience. He studied at the University at Buffalo, SUNY, New York University, and Columbia University. He has worked, consulted and taught individuals and focused professional developments for the CDC, Department of Education, Gay Men's Health Crisis, New York City Department of Health, non-profits, Fortune 500 companies and unions. He began his career facilitating on-campus workshops addressing a wide range of sexuality and sexual health issues and then moved on to teaching at universities, non-profits, private groups and clients, hosting The Kyle Phoenix Show on television and multiple online webinars, including YouTube and Sclipo and writing extensively through his blog, Special Reports, articles and other print and E books in the Kyle Phoenix Series on relationships, finance, education, spirituality and culture. He lives in New York with his family.


www.kylephoenix.com


Smile, Kyle
KylePhoenixShow@Gmail.com

#KylePhoenix
#TheKylePhoenixShow

Is rap positively or negatively affecting black culture? by Kyle Phoenix

 

Is rap positively or negatively affecting black culture?

The problem, not with the question, but in answering it is the underlying, hidden problem with Black/Latino, but mainly Black culture: the inability to address what being oppressed and victimized has done to the psychology of Black people. If we can’t fully acknowledge A, we can’t even see or address or more importantly, heal B.

We are a culture, who as entertainment call ourselves niggers.

No, sit with that.

Now lets run through other cultures—-Italians, Jews, Brazilians—-and let’s examine the art form from them that denigrates them as a people—-with cultural, racial slurs. That they bop and dance and hop and party to. Come on, you know Jewish, Italian, even Latino slurs—-you know them, I know them.

Now go to an Italian party and blast you know, Italian music, made by Italian people, with Italian artists/musicians—-or Jews—-blast that hard—-like Matisyahu (whom I happen to have some great CDs/music from)—-you know what he and those partying Italians are not doing—-calling themselves niggers, or hoes, or bitches or glorifying gangbanging/killing each other.

Just sit with that for a moment.

Blacks, Americanized, and some Africans, are the only cultures who party to their own self-denigration.

When I teach about race, racial theory, the social construct of race, racialization and racism being manifestations of a mental-social anxiety/neurosis as of yet, undiagnosed by the DSM (the fact that you and I, we were all trained—-if you recognize race, that makes you racist. I know, upsetting but the first step, even AA will tell you is accepting the truth. So based upon melanin, simple environmental differences that have affected pigmentation of folk—-you, me, your friends, my friends, our families, folk all over the world think of other folk and project biases, prejudice, discrimination upon them. Insane, right? Especially when broken down like that.

Rap is much the same way—-it is a legitimate human expression, yes, even Art. A creative artistic human expression but let’s dig a little deeper….

Who is expressing this Art and what are they saying through this venue?

That’s the problem.

Ok, let’s get extreme in our metaphors and examples—-say rap was invented in an extreme society—-like Germany in the 1930s by the German people. And there was you know casual German rap about beer and partying and really long words and dancing and getting into all kinds of shenanigan's and jiggy, in Berlin.

Then there started to be extreme German rap from this dude Adolph. And then him and his crew, in Prada-esque uniforms, started spewing about socialism and rights and changing society…and then as the years went on about certain kinds of people not being “good enough” and what to do with those people. And more frighteningly, what was occurring in the countryside at these “camps” to those people.

I actually looked up was there “Holocaust” rap. There is. Extremes in artistic expression as both barbarically simple and others as in a height of creativity—-Lil Dicky. Hilarious because his video—-below—-is artistic in the sense that one, he’s a normal looking nerdy White Jewish dude just rapping away but in his video, in a rap duel with Hitler (inspired Art!—-he literally made my artistic dick hard! I laughed out loud and at the same time was impressed with the parameters of the video and the hilarious tropes he played with.).

More interestingly he, just a normal dude, Jewish and with a German fraulein in dress and ponytails (but not skimpily dressed (a send up of Black rap videos with scantily clad women doing the booty shake))—-then he plays against Nazis in a basketball game. Then he rap battles, insertion himself into Hitler footage, and the lyrics are creative and funny and referencing and he even uses German sausage when he makes sexualized innuendo about the German girl.

But it’s funny and smart and self-effacing and at the same time winking at Nazism, war and more importantly, Black rap/rappers and Black culture in rap videos.

It’s a sharp play within play around culture, from a Jew, similar to say Eminem…but you know what he never does?

Denigrate Jews or women…or even himself.

He doesn’t use any racial slurs about himself, his culture, his people, women, society—-and the violence/war he shows is actual footage of World War II.

I searched for Jews, Jewish rap, knowing Matisyahu but sure that there were others, pushing the envelope. And still no self-denigrating/hating (I actually hate how often the word hate is used to describe what people do or think or act towards themselves—-it’s often too broad or simplistic.)

But again, back to our cultural layering—-Jews have been oppressed and gone through all kinds of natural systemic shit for centuries too.

However their cultural framework, their cultural framework designed by Jewish people, Jewish individuals, doesn’t have as an artistic expression calling themselves niggers and hoes and bitches and killers and thugs, as artistic expression.

Huh.

No, really think about that. Because what that thought, unpeeling that culture onion suggests, is that a people, a culture of people, can go through centuries of shit and not self-flagellate itself, for entertainment.

Okay, now I’m going to leap into why Black culture/people do this, because a culture is just a mass of people—-a small family or a nation of millions, who agree to norms and habits and rituals.

Black people, in America and expansively, brown people throughout the world, were taught A is good, and you, B, are not good. Racism is predicated, the very foundation of it is based upon Superiority v. Inferiority (based upon….fill in the melanin blank or the cultural norm).

We, Black Americans, were taught we were Inferior. Now one assumes that when we opposed this context, probably as soon as someone so called Superior (White) suggested it, we refused it. But no—-Black people have done something that only occurs within biological organisms—-we have adopted the cancer alongside healthy cells in our mind-bodies. We have adapted to that which we reject as diseased ideology. We are in fact the existence of the duology of racist foundational thinking—-Superiority and Inferiority—-at the exact same time. (We’re like that Star Trek black white checkered aliens episode—-which is what made it so startlingly insightful.).

Now imagine people with this psychological duology started making Art, and Art always starts as self referential and then incorporates the surrounding reality. So now, we’re representational of This AND That ideology.

Now, let’s burrow a little deeper—-let’s say we, Blacks, are separated from White oppression in the form of our private spaces—-homes, families, relationships, enclaves—-why do we still maintain this duology ideology?

In teaching about racism, to get people to understand their experiences, their own minds, we often talk about the Little White Man in all people’s heads. Pointedly inside of Black (minority) folks heads. It’s more popularized now as the White Gaze. Essentially a pervasive psychology/ideology—-ultimately a product of hegemony—-that is constantly permeating our thoughts, ideas, ideology, ideals, relationships—-even when away from the prime source of that oppressive ideology.

Kind of like throwing yourself to the floor and jamming a dildo up your butt…because you were raped. But now you do this often. Alone. Or with your family and close friends. (Yeah, let that imagery sink in.)

That’s what Black people are doing—-self-flagellating themselves to varying intense degrees or even worse, and we do this personally, and now you can see we do this with our Art/entertainment—-we flagellate each other with this oppressively ideology-White Gaze-Little White Man.

Kyle In Black Groups (Always a Fun Time)

So sitting in a Black book club, reading the deep tracts of Washington and DuBois and such with Black people—-in the 21st century—like a few years ago—-I suggested to the group that we were studying the wrong things. We were studying Then while we occupied Now. Now, separate from my time allusion—-is very important—-that’s another self-destructive cultural norm, particularly Black people possess—-living in the Then rather than the Now.

I will offer though that it is an inherent system built into the flagellation of that White Gaze, dildo butt cramming culturally, to repeat the cultural rape. Part of a taught by White society and reinforced by Black peers, family, lovers, culture is flagellation—-internalized and expressed inferiorization of the Black/colored,

Here’s what I suggest: we, in that book group, all under 70 years old were never slaves.

Now hold that thought for a moment and let’s bring back our Jewish brothers and sisters.

Consider how Jews acknowledge and fortify AGAINST genocide/oppression and concentration camps but they don’t Now identify with it in the sense of reminding you or I or each other—-”You could be killed at any minute in an oven for being Jewish.” They fortify against oppression but don’t interiorize it.

I’m going to let you in on a Black secret: We CONSTANTLY remind each other, even in book clubs, even in the group think, intellectual pursuits—-that we were (are) slaves. Even those of us who have never been in chattel slavery. (Now before you go all jellybean on me, I fully acknowledge that we are in Pink, if we measured the Black racial experience from direct chattel enslavement, to know—-near absolute freedom—-near, not complete—-having had over centuries the Red of Slavery diluted through social and legal means. But we ain't in harsh Red—-like our ancestors were. Perhaps we’re in Pink in this Now time signature.)

But we keep asserting to each other, reminding each other, quantifying each other and reality, as Intense Red. (And now you understand my color swag, yeah multi-level inception, baby!)

I brought this up in the book club that perhaps in the Now time signature, instead of assiduously turning to our left and right and reminding each other—-”You is, was, ain’t nothing but a slave, in this reality.”—-we start studying and perpetuating the psychology of NOT being slaves. That instead of studying the EXAMINATION of slavery and oppression—-we study the examination, written by anyone with some sense and study—-the eradication of individual and cultural brainwashing. But it fell upon (enslaved to a dildo) ears.

And that’s what rap is and how it originates. And why it’s both positive from some mentalities and equally, broadly, destructively, negative and self (Black) flagellating, from others.

We Black people like to fuck ourselves, because we were taught for centuries we were the people to be fucked, in all ways, so we are perpetuating that brainwashing——we glory, identify and take identity FROM the historical cultural rape—--even in our entertainment and Art.

#KylePhoenix

#TheKylePhoenixShow